Philip Freelon, African-American Museum Architect, Dies at 66
Philip G. Freelon, an architect whose lengthy checklist of credit consists of museums and different cultural establishments dedicated to the black expertise, amongst them the National Museum of African American History and Culture on the Mall in Washington, died on Tuesday at his house in Durham, N.C. He was 66.
The trigger was amyotrophic lateral sclerosis, also called Lou Gehrig’s illness, his buddy and spokesman, Michael J. Reilly, mentioned.
In addition to the Washington museum and different notable buildings, Mr. Freelon designed or helped design the National Center for Civil and Human Rights in Atlanta, the Museum of the African Diaspora in San Francisco and the Mississippi Civil Rights Museum in Jackson.
The structure agency Perkins & Will, with which his personal agency, the Freelon Group, merged a number of years in the past, described Mr. Freelon in an announcement as “arguably probably the most important African-American architect in latest historical past.”
And Lonnie G. Bunch III, the founding director of the National Museum of African American History and Culture and secretary of the Smithsonian Institution, of which it’s a half, referred to as him “one of many nice architects of our time.”
Philip Goodwin Freelon was born on March 26, 1953, in Philadelphia. His father, Allan, was a gross sales and advertising govt, and his mom, Elizabeth Neal Freelon, was an educator. Allan Randall Freelon Sr., the Harlem Renaissance-era painter, was his grandfather, a connection Mr. Freelon credited with spurring his early curiosity in regards to the visible arts, drafting and design. It was an space of curiosity, he instructed the sports activities and tradition website The Undefeated, that was not a pure for a younger black scholar.
“If you have got a gifted younger African-American, their household will possible know a lawyer, physician, trainer or a priest, however not an architect,” he mentioned. “My dad and mom, who have been each college-educated, didn’t know an architect of any colour, and definitely not a black one.”
With its exterior of bronze-colored aluminum, the National Museum of African American History and Culture is strikingly completely different from different buildings on the Washington Mall.CreditLexey Swall for The New York Times
He enrolled on the structure faculty at traditionally black Hampton University in Virginia, then after two years transferred to North Carolina State University’s College of Design, incomes a bachelor’s diploma in environmental design in 1975. In 1977 he acquired a grasp’s diploma in structure on the Massachusetts Institute of Technology.
In 1978 Mr. Freelon was made an teacher at North Carolina State, and he later taught at M.I.T. and different establishments. He labored as an architect for varied companies earlier than forming the Freelon Group in 1990. His agency, primarily based in Durham, N.C., grew to become identified for its work on school campuses, libraries, museums and different public and cultural establishments, a lot of them in traditionally black areas.
“When I made a decision to start out my very own apply, I had a fairly good thought of what I wished to do and never do,” Mr. Freelon instructed The Undefeated. “I wasn’t going to design prisons, strip malls or casinos.”
That didn’t essentially imply a flashy challenge like a museum; it could possibly be as utilitarian because the transportation middle he designed for Durham in 2008.
“We do work for on a regular basis individuals,” he mentioned in a 2012 video interview with Arch Daily. “We suppose that it’s essential for the typical particular person to expertise lovely, inspiring structure not solely after they go to a well-known constructing, however day-after-day.”
For his high-profile initiatives, he sought a glance that spoke to the aim of the constructing. The National Center for Civil and Human Rights, as an illustration, options an exterior of various shades of wooden, a tan-and-brown collage.
“It’s an expression of the variation within the individuals and the cultures that tells the story of civil and human rights, each right here and overseas,” Mr. Freelon instructed The Atlanta Journal-Constitution in 2014, when the constructing opened.
Of the Mississippi Civil Rights Museum, which opened in 2017, Siddhartha Mitter wrote in The Village Voice, “He has break up the museum facade into irregular however sleek panels with sharply angled traces; terra-cotta masonry soothes the tense geometry, serving as a mild metaphor for battle addressed however not erased.”
Mr. Freelon at his workplace in Durham, N.C., in 2017. “We do work for on a regular basis individuals,” he mentioned.CreditGerry Broome/Associated Press
Mr. Freelon was a part of a crew that labored on the National Museum of African American History and Culture for years; he served as lead architect, with David Adjaye as lead designer. The ensuing constructing is strikingly completely different from others on the Mall, with an exterior of bronze-colored aluminum.
“Most Mall museums are squat blocks, rooted in neo-Classical custom,” Holland Cotter wrote in The New York Times when the African American museum opened in September 2016. “Timeless grandeur and stability are their messages, and also you barely have a look at them twice. The new museum appears to vary texture at each encounter, giving it visible intrigue and in addition implying a extra modern understanding of tradition’s fleet, contingent, it-depends-on-who’s-looking dynamics.”
The opening happened solely months after Mr. Freelon discovered that he had ALS, which assaults nerve cells within the spinal wire and mind. The earlier yr one among his legs had begun giving him bother when he would jog across the Mall for train on visits to Washington.
“I observed I’d use the identical effort, however it was taking me longer and longer to finish my course, and my proper foot was dragging,” he instructed The Undefeated.
He continued to work after his analysis. One latest challenge is an enlargement of the Motown Museum in Detroit.
Mr. Freelon married Chinyere Nnenna Pierce, now a famous jazz singer identified professionally as Nnenna Freelon, in 1979. She survives him, together with two sons, Deen and Pierce; a daughter, Maya Freelon; a sister, Randi Vega; two brothers, Doug and Gregory; and 7 grandchildren.
Although Mr. Freelon labored on many initiatives that will appear to be preoccupied with the oppression and struggles of black individuals, he didn’t view them as commemorating a unfavourable.
“It’s not all about being a sufferer,” he instructed The Baltimore Sun in 2005. “The vital half is that we persevered.”