Crossing the Line Festival Challenges Itself to Evolve
This 12 months the French Institute Alliance Française’s Crossing the Line pageant will broaden its mission of difficult inventive and geographical divisions by highlighting work that additionally troubles the boundaries between truth and fiction, self and different, previous and current.
This up to date focus comes from Courtney Geraghty, the pageant’s new curator. “When I take into consideration what strains have to be crossed in 2019, I don’t assume they’re the identical strains that wanted to be crossed when the pageant was based 13 years in the past,” she stated in an interview. The battle to make paintings extra interdisciplinary, she added for instance, “has roughly been gained.”
For her inaugural season, Ms. Geraghty needed to use the pageant’s transgressive ethos to new areas, together with generational variations and a number of the extra primary ideas we use to order our world.
The director Cyril Teste’s “Opening Night,” which kicks off the season Sept. 12-14 on the French Institute Alliance Française’s Florence Gould Hall in Manhattan, isn’t merely one other work that blends theater and movie. His adaptation of John Cassavetes’s screenplay for his 1977 movie of the identical title subtly incorporates parts from the life and profession of Isabelle Adjani, the present’s principal performer. The infusion of the actress’s autobiographical materials, together with Mr. Teste’s nightly altering of stage instructions, helps to show the piece into a mirrored image on how we could be reworked by the roles we play.
A brand new play by Peter Brook and his artistic associate Marie-Hélène Estienne raises related questions in regards to the position of artwork. In “Why?” the 94-year-old director and his collaborator interrogate themselves, their viewers and their actors by asking “Why theater? What’s it for? What’s it about?” The introspective piece, which guarantees to be told by Mr. Brook’s practically 80-year profession within the theater, will run Sept. 21-Oct. 6 on the Polonsky Shakespeare Center in Brooklyn as part of the 40th-anniversary season of Theater for a New Audience, which commissioned the play together with C.I.C.T./Théâtre des Bouffes du Nord and a number of other different arts organizations.
The Crossing the Line roster additionally contains a number of dance choices. Among them is Jérôme Bel and Catherine Gallant’s dance portrait of Isadora Duncan, which is able to make its American debut on Sept. 25 at Florence Gould Hall. “SOMEWHERE AT THE BEGINNING,” a solo by Germaine Acogny and Mikaël Serre, carried out by Ms. Acogny, that addresses her private journey from Africa to Europe and again, via the lens of Greek tragedy, will observe at La MaMa Sept. 26 and 28.
A full schedule for the 2019 Crossing the Line Festival could be discovered at crossingthelinefestival.org. For extra info on Theater for a New Audience’s coming season go to tfana.org.